We continue with our transcript of his 1976 Bay Area Writers reading
RC I thought possibly to read a few of the poems that would’ve come from that time of ..of being in the city…just seeing their titles and…let’s see…”The Bed” [continues searching] – oh well.. this may get so awkward I won’t bother to ….
Robert Creeley would have been ninety-one tomorrow, May 21st (he died in 2005). In honor of the great man and his birthday, we present, this weekend, another transcription from the extraordinary Bay Area Writers series (from back in 1975-76) – (see also here and here) – Rudimentary recording equipment, so there are, understandably, a few technical problems (particularly at the beginning and the end of tape one (the main tape) but.. what a treasure! , what a remarkable record!
RC: I’m curious, like.. I gather some of you.. that this is a class for some of you and some … Read More
[ Wavy Gravy (Hugh Romney) – Photograph by Allen Ginsberg – Ginsberg caption – “Wavy Gravy & his rubber nose, giant Seva Benefit organized by Ram Dass at Cathedral of Saint John the Divine, Manhattan November 26,1988, seven thousand soul attending, Wavy the M.C. for part of the evening, here in a side chapel south of the altar.” November 26, 1988″]
We missed out on noting his eightieth last year but Wavy Gravy (Hugh Romney), legendary counter-culture clown turns eighty-one today.
Allen Ginsberg and Studs Terkel continuing from here
[At approximately half-way through their conversation, approximately thirty-two minutes in, Allen sings“Gospel Noble Truths” (“Born in this world, you’ve got to suffer..”) making several improvised additions – (“no permanent soul!”, “the dharma chakra”, “Look what you’ve done – 1968” – “Let go, Studs!”)
AG: You looked like you didn’t want to “let go” of “earth heaven and hell” there!.
ST: And as Ned Kelly, the bandit, said, before they hanged him, and they sprang the trap – “That’s life! “. You said, “Die when you die”. I was about to … Read More
“Scholarly, wide-ranging and full of penetrating insight and fascinating literary gossip, the book is a major contribution to the core Beat canon, and provides an astonishingly intimate view of a homegrown American literary movement that would have a generative influence worldwide, inspiring generations of writers, visual artists, filmmakers, musicians and political activists across the globe..”… Read More
[Allen Ginsberg reading and lecturing in Olomouc in the Czech Republic, 1993]
Allen’s new book, The Best Minds of My Generation, selections from Allen’s lectures (not to be confused with the lectures transcribed here on the Allen Ginsberg Project), “mercifully reduced to 455 pages, shorn of repetitions, student interventions and Ginsberg’s habit of beginning every sentence with “So” – (sic) – as the reviewer in the London Times would have it) continues to impress one and all.
Here’s an excerpt from Gaby Wood‘s review in London’s Daily Telegraph:
Great news! – Omnivore Recordings, and Pat Thomas, (who gave us last year the extraordinary The Last Word on First Blues), are issuing, as a two-CD package, Allen Ginsberg’s The Complete Songs Of Innocence And Experience, is both a reissue of Allen’s original Blake release from 1969 on MGM, with the unreleased 1971 recording sessions that were to be Blake Volume 2. The release will include, along with the two CDs, a booklet featuring several unseen photos, alongside revealing new interviews, conducted by Thomas himself, with the original session musicians. Release-date is June 23.
The Best Minds of My Generation: A Literary History of The Beats As Taught by Allen Ginsberg is just out (this past Tuesday) from Penguin Books in England. Next Friday, Grove Press will publish the American edition. Interesting to compare the covers perhaps – the more sober UK edition, the more brash, more jazzy American? – Either way, it’s another essential Ginsberg book. Reviews are already highly positive:
Publisher’s Weekly – “A gold mine for anyone interested in beat literature . . . Ginsberg reads and thinks like a poet; interested in language and style, he abandons narrative to … Read More