William Blake and the Age of Aquarius, a stunning new show opened this past week at the Block Museum at Northwestern (Evanston, Illinois). Above is a reproduction of the catalog cover. The exhibition, curated by Northwestern University art professor, Stephen F Eisenman, is a breakthrough exhibit, exploring, for the first time, “the impact of British visionary poet and artist William Blake on a broad range of American artists in the post-World War II period” (notably, (but by no means confined to), Allen Ginsberg and fellow members of the Beat Generation – Allen as promoter and propagandist, conduit and curator, … Read More
Next week in Paris (September 20-22) sees the sixth Annual Conference of the European Beat Studies Network – “The Transcultural Beat Generation” is this year’s focus “(Collaboration. Publication, Translation)”. The three days are broken down as follows: Wednesday, the 20th – “French Edition(s) and Beat Intellectual Life in Paris” – Thursday, the 21st – “Beat Translation and Collaboration” – Friday the 22nd – “Marginalized Beat Artists”.
Of the specifically Ginsbergian – Thursday-evening (6-7.30) has been given over to a panel on Allen, chaired by Anna Aublet) – (rather unfortunately, it clashes with a panel on William Burroughs (chaired by … Read More
Seymour Krim’s death, August 30, 1989, announced, the following day, in the New York Times.
“Seymour Krim, an author and critic, was found dead, apparently of a drug overdose, in his Manhattan apartment last night…Mr. Krim, who was 67 years old, was found sitting in a chair in his apartment at 120 East 10th Street. A bottle of pills and notes explaining his apparent suicide were found nearby…..”
“Ginsberg also makes room for Herbert Huncke, whom he calls the “originator” of Beatness. An addict, gay hustler and petty thief, seeking, in his words, the freedom “to become more obscure,” Huncke introduced Ginsberg, Kerouac and Burroughs to the mid-1940s underworld of Times Square. In a bold stroke of canon-stretching, Ginsberg pronounces his sketches of the lower depths, published almost by accident and innocent of literary allusion, “classics.” In celebrating the unlettered Huncke, Ginsberg was suggesting that professionals may have more to learn from … Read More
Q: You said that your poetry is a practice as well, so..is it..do you meditate every day? do you use poetry as a practice?
AG: It’s a form of practice. I sit now about forty minutes to an hour every day. There have been long periods where I’ve sat for an hour, two hours, every day, and there have been long periods where I have been on retreats where I would sit all day, … Read More
A real treat this weekend – with gratitude to Robyn Brentano and students from the NYU Ethnographic Film Program – “Buddhism and the Beats.”. “In 1993, Allen Ginsberg spoke to a gathering of students of the Tibetan Buddhist monk, Lobsang Samten, about the impact of Buddhist thought and practice on himself, the Beat writers, and American culture at large”. The full hour-and-a-half tape is transcribed below (continuing tomorrow, and with the Q & A session to be featured here next weekend)
For all you sticklers for detail out there, Sunday July 17, Allen’s appearance with Sopwith Camel, was in 1966. The following year (1967) found him in London, speaking at Steven Abrams‘ “Legalize Pot Rally”.Barry Miles was inevitably there. There weren’t too many classic moments of the “Sixties when Miles wasn’t present! Miles’ 2002 memoir, “In The Sixties” just got re-issued in a profuse illustrated edition – see here.