Vojo Sindolic’s 1986 Belgrade Interview – part one

[Allen Ginsberg in Belgrade, 1986]

Vojo Sindolic‘s 1986 interview with Allen in Belgrade (in two parts – the second part will follow tomorrow) is our focus on The Allen Ginsberg Project this weekend.

Vojo’s translation of Cosmopolitan Greetings  (Kozmopolitski pozdravi ) has just appeared from Hrvatskoga društva pisaca  (h,d,p) (the Croatian Writers Society

Here, he introduces the interview:

“Allen Ginsberg and I were very close friends for twenty years from 1977 until his death in 1997. I felt and still feel deep love for his poetic insight, or as one may call it – it was literary … Read More

Friday’s Weekly Round-Up – 354

[Allen Ginsberg, Venice, Italy, 1995, Enzo Eric Toccaceli,  “Beat Generation, Travels in Italy” exhibition, Rome]

“Beat Generation, Ginsberg Corso, Ferlinghetti Viaggio in Italia”, (Beat Generation, Ginsberg, Corso, Ferlinghetti Travels in Italy), a show of over 200 black-and-white photos (accompanied by an apparatus of over 600 documents (books, first editions, printed ephemera, etc)  curated and presented by photographer Enzo Eric Toccaceli, opened at La Galleria Nazionale d’Arte Moderna e Contemporanea di Roma (The National Gallery of Modern and Contemporary Art in Rome) last week, and will be up until April 2nd.. For more images from the show see … Read More

On “Stanzas Written At Night in Radio City” 

[Radio City Crossing. photo by Henry Silberman]

OnStanzas Written At Night in Radio City” 

[hear Allen in a recording of him reading the poem (from the LP/CD “The Lion For Real”)  here  – (and. here (in 1980), and, from a recording from 1981, in San Francisco  at The Intersection – here]

AG:   “If money made the mind more sane./ Or money mellowed in the bowel/ The hunger beyond the hunger’s pain,/ Or money choked the mortal growl/ And made the groaner grin again,/ Or did the laughing lamb embolden/ To loll where has … Read More

Friday’s Weekly Round-Up – 353

[Allen Ginsberg in his kitchen, 1988 – Photograph by Brian Graham]

The Toronto photo show, “Fleeting Moments, Floating Worlds.., that we mentioned last week continues. What we omitted to mention was the accompanying catalog (printed and designed by the legendary Coach House Press). As curator, John Shoesmith writes in the forward – “The accompanying catalog attempts to further the story behind the Ginsberg photographs. It contains the voices of several key individuals who were crucial to the poet’s “second coming” as a photographer, beginning in the mid-1980s; from the person who planted the seed within Ginsberg to … Read More

Pull My Daisy (Collaborative Poem)

AG: And another one of the similar.. well, of a similar theme, just a crazy (crazy).. – the mad song?  you know, just the idea of the madman’s song?, was – “Pull My Daisy”,  (which began as a little lyric that I wrote, “Pull my daisy/tip my cup…”) – “Pull my daisy/tip my cup/Cut my thoughts/for coconuts...” – (Well I heard, at some point, about Christopher Smart, actually) –  “When I think of death/ I get a goofy feeling/Then I catch my breath/Zero is appealing/Appearances are hazy/Smart went crazy/Smart went crazy” – (Christopher Smart, I meant with that – … Read More

Friday’s Weekly Round-Up – 352

Opening this past week, and on through April 27, at the University of Toronto’s Thomas Fisher Rare Book Library  – Fleeting Moments, Floating Words, and the Beat Generation – The Photography of Allen Ginsberg.

 

from Thomas Marks’  interview with the Italian painter  Giorgio Griffa  (in Apollo) – (Griffa’s current one-man show at London’s Camden Arts Centre, currently up, is up until the 8th of April):

“The work of Allen Ginsberg has also provided a touchstone; Ginsberg’s elegy for his mother, ‘Kaddish’, is … Read More

Friday’s Weekly Round-Up – 351

Next week, Neal Cassadys birthday.,   On Friday and Saturday, next week, they’ll be the big celebration in Denver (with special guests, Jami Cassady and David Amram – for more information on those celebrations – see here).

Monday,, it’s another Beat birthday – William Burroughs. There’s a celebration of that tonight – Three Rooms Press (publishers of the upcoming Don’t Hide The Madness – William S Burroughs In Conversation with Allen Ginsberg) present, at New York’s Cornelia Street Cafe (starting at 6 o’clock), a William Burroughs Birthday Tribute, featuring Anne Waldman, Steven Taylor, and … Read More

Friday’s Weekly Round-Up – 348

Reposting and restating last week’s big news – “Howl’,  a newly-assembled red vinyl  box-set will be available soon – next month – from Craft Recordings.  February 23 is slated as the release-date. Hold your breath!

A couple of weeks back,  Chris Agg uploaded a scattering of short Beat-related video-clips onto You Tube. See here (a few selected examples). We start off with Lawrence Ferlinghetti reading his prose-poem “Look Homeward, Jack – Two Correspondences”  from the book Wild Dreams of A New Beginning. (Ferlinghetti can also be seen here, reading “Constantly Rising Absurdity”, from A Coney Island of the Read More

Friday’s Weekly Round-Up – 347

Looking forward and looking back, with the year’s first “Weekly Round-Up”, starting off with Allen Ginsberg – Fotografìa y Poetica Beat at the Photology Gallery in Garzon, Uruguay –  the first ever showing of Allen’s photographs in South America!  (this show is coming to a close, closing-date is next Tuesday, January 9).

And more photo news – Opening January 29, and up through 27 April, at the Thomas Fisher Rare Book Library at the University of Toronto ‘Fleeting Moments, Floating Worlds, and the Beat Generation – The Photography of Allen Ginsberg” 

“This exhibition”, the Library states, in its preliminary … Read More

Eric Mottram (1924-1995)

 

Our focus today – Eric Mottram, (1924-1995), author of  (among many other titles)  the brief survey, Allen Ginsberg in the Sixties – a poet, critic and scholar, a central figure in the English/transatlantic connection, one of the earliest, most astute and most passionate, readers and observers and commentators on Allen’s work.

Mottram on Ginsberg, from a lecture, given  at Kings College London, circa 1970

“He [Allen]’s very conscious now of finding strategies for being very very private in public.”

He goes on:

“But if you are going to say, “okay, private life is primary, the body is primary, … Read More