Heads-up for next Friday! (Friday April 7) – Ginsberg Green – “A spoken word & musical gathering honoring the life and Green activism of Allen Ginsberg” – a unique celebratory event, organized by our good friend Patrick Warner, scheduled to take place at The Sprinkler Factory in Worcester, Mass, starting approximately 6 o’clock.
…That you are unable to understand why I make so much of Rimbaud, dismays me somewhat. Though I should dislike to be over-bumptious about it, with your kind permission, I must witness his defense. I fear that since you have read Rougemont‘s Partie du Diable you possibly approach Rimbaud viewing him as another eccentric French Satanist
AG: Edmund Spenser is a colossus, and he’s so big that I think we’ll go around him Except, maybe, one or two, one or two little short things – the Epithalamion – a big Leviathan poem here, marriage poem. What I would suggest is that you go home and read it. It’s got a great stanza form, it’s got a great rhythmic form. So what we might do (here) is read just the first and last stanzas, just to get the stanzaic form get a taste.. Page 162 – I’m sorry..
JC: I mean, that just has..you know. Like, I mentioned before about Henry Miller – the one book.. when they ask(ed) me what books people should read for this course, I mention(ed) the Henry Miller book, (The)Time of the Assasins, because, I mean, simply because it made me feel like.. That was he book that made me want to get into music, you know.
I mean, it’s his assessment of Rimbaud – it’s really just as much his assessment of Henry Miller, of course – but I