Buddhism and The Beats (Ginsberg 1993 – I – Introduction)

A real treat this weekend – with gratitude to Robyn Brentano and students from the NYU Ethnographic Film Program – “Buddhism and the Beats.”. “In 1993, Allen Ginsberg spoke to a gathering of students of the Tibetan Buddhist monk, Lobsang Samten, about the impact of Buddhist thought and practice on himself, the Beat writers, and American culture at large”. The full hour-and-a-half tape is transcribed below (continuing tomorrow, and with the Q & A session to be featured here next weekend)

AG: Well, good evening, Rinpoche [Lobsang Samten Rinpoche] and I met very recently at the house … Read More

Allen Ginsberg at Cheltenham 1993

Allen Ginsberg, in 1993, reading at the Cheltenham Literature Festival in England. The feature today on The Allen Ginsberg Project. Allen reads a selection of poems, (mostly from White Shroud and the, subsequently-published Cosmpolitan Greetings

Introduction: Good evening everybody and some of you I’m sure came to the event where Allen Ginsberg was being interviewed by John Calder here today and will have suffered as Mr Ginsberg did the problems of the weather and British Rail. Years ago Allen Ginsberg wrote of Jack Kerouac that he was the sole full-moving thing, earlier today I’m afraid Allen Ginsberg was the sole … Read More

Friday’s Weekly Round-Up – 313

[Allen Ginsberg reading and lecturing in Olomouc in the Czech Republic, 1993]

Allen’s new book, The Best Minds of My Generation, selections from Allen’s lectures (not to be confused with the lectures transcribed here on the Allen Ginsberg Project), “mercifully reduced to 455 pages, shorn of repetitions, student interventions and Ginsberg’s habit of beginning every sentence with “So” – (sic) – as the reviewer in the London Times would have it) continues to impress one and all.

Here’s an excerpt from Gaby Wood‘s review in London’s Daily Telegraph:

“Lovingly edited from recordings by Bill Morgan, who has … Read More

Friday’s Weekly Round-Up – 308

Heads-up for next Friday! (Friday April 7) – Ginsberg Green – “A spoken word & musical gathering honoring the life and Green activism of Allen Ginsberg” – a unique celebratory event, organized by our good friend Patrick Warner, scheduled to take place at The Sprinkler Factory in Worcester, Mass, starting approximately 6 o’clock.

The event will include Ann Charters (reading from Lospecchio Press’ Best Minds – A Tribute to Allen Ginsberg),  Gordon Ball (reading from his Cherry Valley memoir, East Hill Farm), and  Warner himself reading  “selected Ginsberg texts & interviews that exemplify & manifest Ginsberg’s Green … Read More

Rimbaud’s Birthday

Allen Ginsberg
Arthur Rimbaud‘s birthday
For Rimbaud on the Allen Ginsberg Project – see here and here and here 

A defence of Rimbaud  by Allen Ginsberg

from a letter from Allen Ginsberg to (Professor) Lionel Trilling, September 4, 1945 [sic]:

…That you are unable to understand why I make so much of Rimbaud, dismays me somewhat. Though I should dislike to be over-bumptious about it, with your kind permission, I must witness his defense. I fear that since you have read  Rougemont‘s Partie du Diable you possibly approach Rimbaud viewing him as another eccentric French Satanist

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Comprehensive Reading

Edmund Spenser (1552-1599)

AG: Edmund Spenser is a colossus, and he’s so big that I think we’ll go around him Except, maybe, one or two, one or two little short things – the Epithalamion – a big Leviathan poem here, marriage poem. What I would suggest is that you go home and read it. It’s got a great stanza form, it’s got a great rhythmic form. So what we might do (here) is read just the first and last stanzas, just to get the stanzaic form get a taste..  Page 162 – I’m sorry..

Well, he’s very brilliant in, you … Read More

Jim Carroll workshop continues – 4

Jim Carroll workshop continues – see here, here and here 

JC: I mean, that just has..you know. Like, I mentioned before about Henry Miller – the one book.. when they ask(ed) me what books people should read for this course, I mention(ed) the  Henry Miller book,  (The) Time of the Assasins, because, I mean, simply because it made me feel like..  That was he book that made me want to get into music, you know.  I read.. 

I mean, it’s his assessment of Rimbaud – it’s really just as much his assessment of Henry Miller, of course – but I

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