Basil Bunting’s Lectures on Poetic Origins – 3

                                                          [Basil Bunting (1900-1985)]

Allen Ginsberg’s remarks on Basil Bunting’s lectures continues

AG: So then, the next thing would be the comparing of the time of the steps, the time it takes for steps, or the ratio of times of the steps, to count the syllables. In..  an orderly measure in dance would be the steps, in music, it would be the notes, in poetry, the syllables. A pattern of spatial rhythms,

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Basil Bunting’s Lectures on Poetic Origins – 2 (The One-Eyed Ford)

Student: Is the “one-eyed Ford” something you just made up now?
AG: No , the “one-eyed Ford” is a  famous American-Indian twentieth-century.. It’s a great line! – It’s one of the great lines in America .. of the, as-yet, unacademicized poetry. The many many versions of the “one-eyed Ford” song (South-West – Oklahoma, actually – I heard it last year… last heard it (with Harry Smith) in Anadarko,  Oklahoma) – “My one-eyed Ford”! – It’s a great … Read More

Basil Bunting’s Lectures on Poetic Origins – 1

Basil Bunting  (1900-1985)

AG:  Some of the ideas that (Basil) Bunting was laying out, I would like to lay out here because they’re just very interesting. He was saying that, first of all, English poetry was sung up until the 17th century. All the poets wrote for singing including, of all people, John Donne! – Donne was sung. He was put to music by   a fellow named Ferrabosco of that era  (do you know anything about that?) – Well, apparently Donne was actually sung. Donne is usually taught nowadays as if he… you know.. he has one or two

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Jim Carroll Workshop – 1

                           [Jim Carroll – album cover – Catholic Boy (1980) – cover photo by Annie Liebovitz]

Beginning today, serialization of transcription of Jim Carroll’s June 30, 1986 Naropa Poetics and Music class.  [see here for Jim Carroll reading]

Larry Fagin: Ladies and gents, welcome to the second week of Naropa [July, 1986] poetry summer camp. I’m pleased tonight to have.. and honored and thrilled to have, Jim Carroll with us, who first came to light at aged fifteen, with a book called, (an) amazing book called, 

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The Heart of The Hydrogen Jukebox – ASL

Here’s something we’ve been meaning to post for some time now.  The extraordinary development of Allen and ASLAmerican sign-language From Miriam Nathan and Don Feigel’s remarkable documentary, “The Heart of The Hydrogen Jukebox“.  The date is 1984. The location, the National Technical Institute for the Deaf  (NTID) in Rochester, New York, (a workshop entitled “Two Worlds, One Spirit” (with Allen in attendance), designed to address the topic of poetry and deafness). Patrick Graybill is the deaf poet-performer who shakes up the room and blows everybody’s minds.  Jim Cohn describes it (a significant, breakthrough moment) in his … Read More

More Punk Notes (Hardcore)

Following on from recent postings, here’s Allen and Steven Taylor in Allen’s kitchen (437 East 12th Street) in New York, discussing “hardcore”, the music immediately following punk.
Here below is a transcript:

“AG: …(which) leaves it open to any kind of polymorphous perverse, at best, and is a kind of declaration of independence from social identity, or reassertion of a personal stamp of their own social identity, also there’s a political implication of subversion and rebellion against the rigid moral (morale) of the financial, sexual, commercial, rules and regulations imposed by the American government, or the Russian government, or the
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