AG: Let’s see what else there is? The really great one for that I always thought was.. on (page) two-two-seven..Rose-cheek’d Laura – two-two-seven
Student; All the other books spell Laura with a “w” and not a “u”
AG: L-A-W-R-A? – Yeah, “Lawra” ..because that makes the vowel longer – “Lawra” – What I… [to Student] Do you know the music to that one?
Student: It’s not in there.
AG: It’s not in there. But, anyway.. Dig the way it goes . “Rose-cheek’d Laura, come”. It’s not “Rose-cheek’d Laura come” – “Rose-cheek’d Laura, come” – Rose-cheek’d – breath – Laura, … Read More
[Allen, turning on and off the tape of the Bunting’s lecture recording, searches on the tape-recorder] – “Well, let’s see what he says about it – He was using records too – It’ll be clear in a minute..”
[At approximately thirty-two-and a quarter minutes in (and concluding at approximately thirty-four-and-a-quarter minutes in), Allen plays a recording of Bunting reading Campion’s “Follow Thy Sun…” – “Follow thy fair sun, unhappy shadow/Tough … Read More
AG: Does anyone know (William) Blake’s “Little Black Boy”? – with a funny similar, similar little metaphor in that. Anybody here know that? Does everybody here know “Little Black Boy”? Anyone not? Who knows it..?
Student: I don’t know it.
AG: ……or know of it, know of it.
Student: I heard it was sung.
AG: Yeah, maybe I’ll sing that..while we’re at it, at that – not that it’s that relevant but the tune is (also important)…..Just for a similarity of theme I’ll get right to that song.
Student: Page five-hundred-and-forty-seven
AG: What.. is it in here? – “Black Boy”?.. “The Little Black Boy”? – … Read More
“Self-Portrait on my Seventieth birthday in Borsolino hat and black cashmere-silk scarf from Milan & Dublin Thornproof-tweed suit, Oleg Cassini tie from Goodwill, shirt same source, kitchen windwo mid-day, I stayed home & worked on Selected Poems 1947-95 proofs after returning from Walker Art Center reading – Beat exhibition weekend. Monday June 3, 1996, NY. photo c. Allen Ginsberg Estate
Studs Terkel‘s 1959 radio interview transcript (courtesy PennSound) continues. See previous transcripts here, here, here and here
ST: While the discussion goes on in the background. I was trying to whisper to the audience that I think there’s a seriousness and semi-seriousness, but we’ll see if you can sort of discern the chaff from the wheat.
AG: No, I’ll talk over him (Gregory Corso)., I’ll talk over him.
Now, the end of the poem [“Howl”] – which is where – “I’m with you in Rockland”, (which is a bug-house). I’m saying, … Read More