AG: So what do we want now? – (Ben Jonson’s) “Slow slow fresh fount” , Some of you here, What did you make of that? – Page two six-six – a couple of really pretty pieces of cadence (here) now.. I’ve never examined this song very carefully, except a couple of times it’s really struck me as being real.. just totally lovely music..
“Slow slow, fresh fount, keep time with my salt tears;/Yet slower yet, O faintly, gentle springs!/List to the heavy part the music bears” – So it’s all about music, actually – the” division” here (“Woe weeps out … Read More
AG: The ABC of Reading from Ezra Pound – yeah how many know that? I recommend taking a look at that or buying it, or reading it. It’s a litttle anthology, like a teaching anthology, to hit high points and special effects in .. you know, Mike? (sic) have you read it?
Student (Mike): Yes
Student (Mike): In the summer, the past summer..
AG: (We’re) talking about Ezra Pound’s ABC of Reading. It’s a book I’ve come back to over and over again for clear ideas and suggestions in how to write, how to think about writing. I … Read More
AG: …(H)e (Ezra Pound)’s in a cage.. he’s in a prison-camp cage in Italy at the end of World War II, when the Allies have over-run Italy and he’s been captured. And in order to save him from being killed by the pro-Communist partisans (since he had taken Mussolini‘s part in the war and stayed in Italy and made broadcasts), the Chief of American Counter-Intelligence, a man named James Angleton, who had a magazine named Furioso in Carleton College in 1939 with Reed Whittemore, contemporary poet, living … Read More
AG: Yeah, well I want to get on to “The Triumph of Charis” – Charis? – Charis. Do you know what that is? It’s a play, originally, I imagine, from a play, or a longer poem but I think a play Do you know anything about that, the origin of that, Stanley? (sic)
AG: I guess it’s nine-thirty. So we’ll go on to Ben Jonson next. And I think I gave you what I suggested from Jonson was.. two.. do you still have that page?.. two-fifty-two – (the poem) on his first son – “On My First Son” (“Farewell, thou child of my right hand, and joy..”) – (then) – two fifty-six, Salomon Pavey – “An Epitaph on S.P.” (“Weep with me, all you that read/This little story”) – (and) – Little L.H. – “Epitaph on Elizabeth, L.H.” (“Wouldst thou hear what man can say..”) – … Read More
AG: Edmund Spenser is a colossus, and he’s so big that I think we’ll go around him Except, maybe, one or two, one or two little short things – the Epithalamion – a big Leviathan poem here, marriage poem. What I would suggest is that you go home and read it. It’s got a great stanza form, it’s got a great rhythmic form. So what we might do (here) is read just the first and last stanzas, just to get the stanzaic form get a taste.. Page 162 – I’m sorry..