In this episode, a punk Jonathan Robbins appears to the consternation of Barry Farber, and Allen discusses, among other things, ecology (eco-consciousness) and the apparent difficulty (alleged impossibility) of translation.
BF: (The Beat Generation) ….was every feature-writer’s security blanket tranquillizer and pacifier. (I want to know, technically, how you attracted that much attention?)
AG: I think, mainly, it was we said what we really thought, rather than what we were supposed to think or what we thought would be, you know, palatable for the … Read More
BF: I’m Barry Farber, Peter Orlovsky is with us – I think that means “the son of the eagle”
AG: Right… Russian too.
BF: Allen Ginsberg, Jonathan Robbins, that’s the poetic part of the panel. The journalistic side, who can’t care if it rhymes or has soul just as long as it asks the desired questions, Robert Goodman, a new broadcast journalist and a good one, Bullets Durgin, just said goodbye, … Read More
BF: Poets, Allen Ginsberg, Peter Orlovsky, Jonathan Robbins (are here) with us, (and) “Bullets” Durgin, the hero-manager, who began driving a truck for a big-name band and wound up driving big names with truck-driver power to success that, sometimes they gave him credit for, and sometimes they didn’t (his cases where they … Read More
[Allen Ginsberg, San Francisco, 1966. photo: Larry Keenan Jr. ]
Drawing this weekend from the remarkable Stanford archives. We begin with a tape from 1976, Allen and company in conversation with conservative talk-show host Barry Farber, a two-hour radio appearance (We’ll be featuring it in segments – In the first, today, the opening salvos, he has to defend himself against Farber’s avuncular but also barbed and somewhat patronizing knee-jerk anti-Communism)
[Allen Ginsberg in Jerusalem, 1988, praying by the Western Wall. Photograph by Steven Taylor]
Allen Ginsberg in Israel.
This interview with Elazar Larry Freifeld was conducted at Tel Aviv University in 1988, and published in Moznaim (in Hebrew). It appeared a year later (In English) in The Tel Aviv Review, and most recently in the Jerusalism Review.
LF: Welcome to Israel, Allen. You come at a very troublesome time [civil war in Lebanon].
AG: Ah, it’s the same all over the world. Everyone has their own tsurus [“trouble”, in Yiddish]. In Nicaragua, the CIA is fomenting trouble, in Columbia … Read More
VS: When you first visited me in my home in my birthplace, the old city of Dubrovnik, in October of 1980, you were so delighted by its beauty that you decided to stop and stay for a long four weeks! During that time we spent any happy hours together, talking just about everything, making plans for the first book of my translations of your poems. It was there in Dubrovnik that you wrote two of your best later poems – “Birdbrain”. and “Eroica” … Read More
“Allen Ginsberg and I were very close friends for twenty years from 1977 until his death in 1997. I felt and still feel deep love for his poetic insight, or as one may call it – it was literary … Read More
Continuing with our on-going feature of videos from the recently-digitalized Stanford Archives – today a tv appearance from 1985, on “New England Today” (on the occasion of the publication of Collected Poems 1947-1980)
Interviewer: My guest right now is Allen Ginsberg and he has written a number of poems and this is a big book if you like poetry, a big book of Collected Poems from 1947 to 1980, and, actually, this is your whole life in these poems, isn’t it Allen?
AG: Yes, everything I’ve written in poetry for thirty-three years, with profuse illustrations, numerous notes at the … Read More
Another from the trove of Stanford video recordings. This time Allen in Buffalo (Buffalo State, circa 1971), reading and being interviewed by Allen DeLoach – see here
The video is introduced as follows:
“Allen Ginsberg may be this planet’s most renowned poet . Considered by many of his contemporaries to be one of the most important poets of his generation. His poem “Howl” is probably as important a literary documentation of his generation’s spiritual condition as “The Waste Land” was for the previous generation. His major writing has been influenced by Biblical writing, by William Blake, Walt Whitman, Christopher Smart… Read More