AG: Gone-A-Maying. She’s going out maying, she’s going out to… well, he describes it – getting up in the morning and going out and getting the dew on her hair and gathering hawthorne, white hawthorne, to … Read More
AG: “Delight in Disorder” is a very famous poem (on page two seven four). I think underneath there’s a little S & M shot there.
“A sweet disorder in the dress/Kindles in clothes a wantonness:—/A lawn about the shoulders thrown/Into a fine distrac-ti-ón,”— (he wants that eight syllables, this is eight syllables – because the only way he’s going to make that “distraction”, he … Read More
Q: You said that your poetry is a practice as well, so..is it..do you meditate every day? do you use poetry as a practice?
AG: It’s a form of practice. I sit now about forty minutes to an hour every day. There have been long periods where I’ve sat for an hour, two hours, every day, and there have been long periods where I have been on retreats where I would sit all day, … Read More
Allen Ginsberg in the Archives at Stanford University
Today big news to report, Stanford University have finally completed a monumental task – the audio/video elements that were reformatted from the Ginsberg papers are now available as streaming media through their catalog. We’ll be focusing more on this in the weeks ahead. Meanwhile to access the Ginsberg catalog immediately – see here
(and read Stanford’s announcement of this, indeed, major “cause for celebration” – here)
Today, please be aware, is Hart Crane‘s birthday (born 1899. died off the Gulf of Mexico).
AG: .Well, the feet would be the… well, basically, the number of stresses in a line would be the number of feet, basically, number of stresses, as distinct from syllables. And a foot would be a varied kind of feet (da-da, da-da, da-da, da-da) – Tyger, Tyger ( da-da, da-da – da-da da) – So there’s four feet in “Tyger, Tyger burning bright” (that’s four feet -right?) – I think the Greek word is “metron” maybe for measure..I don’t know, I’ll have to check that out – hard to find a Greek nomenclature … Read More
Today, July 19, the great poet, Vladimir Vladimirovich Mayakovsky, was born in Baghdati, Georgia. We’ve featured Mayakovsky numerous times here on the Allen Ginsberg Project. For example, here and here.
The fourteen-part series, Allen’s 1981 focus (with in-class presentation by Ann Charters) begins here, and continues here, here and here (Expansive Poetry) .
[“Water, water, I desire/Here’s a house of flesh on fire..”]
AG: (returning to an analysis of Robert Herrick) – “The Scare-fire” (on page two seventy four) – That’s all seven syllables – “Water, water, I desire/Here’s a house of flesh on fire/Ope the fountains and the springs,/And come all to bucketings /What ye cannot quench pull down /Spoil a house to save a town /Better ’tis that one should fall,/Than by one to hazard all. ” – (da-da da-da da-da da, da-da da-da da-da da, da,-da da-da da-da da, 1-2-3-4-5-6-7, 1-2-3-4-5-6-7, 1-2-3-4-5-6-7,)
AG: I used a lot.. I used a method..I used that in a lot of early poems that I was doing, imitating (William Carlos) Williams, just little free-verse poems, but I would rearrange them from prose, and arranged them into balanced little five-syllable, three-syllable, five-syllable, three-syllable, whatever – ” I learned a world from each/ one whom I loved/ so many/ worlds /without /a Zodiac” – [from his poem “The Night Apple”] – six-four, six-four. I mean, I had written it down in prose on the paper, in … Read More
A real treat this weekend – with gratitude to Robyn Brentano and students from the NYU Ethnographic Film Program – “Buddhism and the Beats.”. “In 1993, Allen Ginsberg spoke to a gathering of students of the Tibetan Buddhist monk, Lobsang Samten, about the impact of Buddhist thought and practice on himself, the Beat writers, and American culture at large”. The full hour-and-a-half tape is transcribed below (continuing tomorrow, and with the Q & A session to be featured here next weekend)