Friday’s Weekly Round-Up – 343

Cartoon Comix Allen. We’ve  featured this manifestation several times before, notably in the thoughtful and lively work of Nathan Gelgud.

and, back in the 70’s, not forgetting Pat Ryan and Allen’s Chicago Trial Testimony in comic form 

Keeping that tradition going, a shout-out to talented Sasha Velour‘s on-going graphic novel on Stonewall.

Allen makes an appearance, of course.

Who is that who’s sitting there in the back of the cab?

Beatdom – Here’s the current print issue of Beatdom

and  Beatdom on-line is always a good place to head to – recently posted:  editor, David S Read More

Original Emotions/Archetypal Rhythms

Student: Would it do any good to know what these rhythms are if you don’t have the capability of voicing that feeling or that emotion that ends up being one of these.,
AG: Well, I think that these cadences and these emotions are natural, so I don’t think that anybody has the problem of feeling them, and, in private, voicing them, (either to themselves, or to another person). I think everybody..  I think they’re in the range of everybody’s emotional spectrum. You may not feel so about it but you’ve got that delicacy,  Sure. Don’t you? – … Read More

“The Time of Composition”

 
[Rainer Maria Gerhardt (1927-1954)]
[Ted Berrigan (1934-1983)]
 
[Charles Olson (1910-1970)]
Student: Can I ask you a little bit of an off-the-wall question?
AG: Yes.. Why don’t we leave this time open now for just general…
Student: In our (Ted) Berrigan class  tonight, he said this comment that,  “The time of the composition is the time of the composition”…. (I’ve been trying to understand that)  and I’ve been trying all night.  And he says “Well, you should know that with every poem that you read, (before you start out).
AG: The time of  the composition is the time of the … Read More

Pound, Waller and The Wonder Breath

[“Oh!” ( the mouth open-wide, a “wonder-breath” – “Ah! – “Go!” – (Allen Ginsberg & Peter Orlovsky re Ezra Pound & Edmund Waller) – 1979 – Photograph by Desdemone Bardin]
AG: Well, if you..   I ‘d like to read that whole thing [Ezra Pound’s “Envoi“] once in..  just through, to get the variance from one stanza to another, because it seems that it’s surging, a very delicate surge from stanza to stanza that really concludes in a nice way – and it’s great music. In fact, why don’t we do it together?   this one.. … why don’t … Read More

Pound and Waller (“Go dumb-born book”)

[Ezra Pound]
[Edmund Waller]
AG: Then (Ezra) Pound (on page one thousand and six). He thinks it [Waller’s “Song”} ‘s so good that it’s his high-water mark, so he wants a... And, in Pound, it’s amazing, it’s one of the few cases in the history of English poetry where somebody made an imitation that’s really just as good as the original, because Pound’s “Envoi” of 1919 is actually as beautiful, I think, as the Waller [“Go, lovely rose] –
So “Go dumb-born book’ – but was..  it.. you know..  Pound’s specialty was this long.. was quantitative meter,
Read More

Philomene Long’s The Beats – An Exisitential Comedy

We continue our spotlighting of video now available via the digitalization of Allen’s Stanford University archives.

Today – Philomene Long & (Jay D Kugelman)’s LA-based documentary from 1980,  The Beats: An Existential Comedy

The video is available – here

[Stuart Z Perkoff appearing on Groucho Marx’s tv show, You Bet Your Life – from The Beats – An Existential Comedy]

Initially conceived as a tribute to the poet Stuart Z Perkoff (1930-1974), it developed into, significantly, more – much more.

As one reviewer had it, “The film is not so much a historical documentary of the period as a recreation … Read More

Friday’s Weekly Round-Up – 342

[Paul Blackburn and company, from the Paul Blackburn papers, Mandeville Special Collections Library, University of California, San Diego]

More big news, archival news, the Paul Blackburn audio collection, long in the safe-keeping of the Archive for New Poetry at the University of California, San Diego, the great trove of New York City poetry recordings (“the most comprehensive oral history of the New York poetry scene between the late 1950s and 1970.”, in the words of Blackburn editor and scholar Edith Jarolim), has finally been digitalized and is now available on line.

The first release of this collection includes … Read More

More on Metrics – 4

AG:  Well, so we have “Go lovely..” and I was thinking – “Tell her that wastes her time and me” – “Tell her that wastes” (da da da da)  – “her time and me” – “Tell her that wastes her time and me”  – seems to be two halves, equally cadenced –  “Tell her that wastes her time and me” – and that would be da da da-da – That’s the epitritus tertius – “Tell her that wastes her time and me.”   If you were going to emphasize the more… not so much.. if you were going to be dwelling
Read More

More on Metrics – 3

AG: Well, it’s not that that you need to be able to understand it [Greek prosody] to write a poem. It’s not perverting your speech to get those rhythms. Rather, it is that speech does have those rhythms, and that you can follow the cadences with those rhythms, that when we were taught in drama-school and high-school primary rhythms, it was very rare that anything was taught beyond the four variants of iamb, trochee, anapest and dactyl.  – that seemed to be the range of  the English ear, or awareness of rhythm, or American high-school awareness of rhythm, … Read More

More on Metrics – 2

[Allen Ginsberg, San Francisco, 1956 – Photograph by Harry Redl]

Allen Ginsberg continues, lecturing his Naropa students on metrics

AG: “Moloch who’s eyes….. da da-da da, da-da da da , da-da da ,da-da da-da da, da-da.. And if you have a gang of choruses going bop-pa-pa-bom, bop-pa-pa-bom, you’ve got something very powerful going on And so, in.. without knowing it, just intuitively, I was using choriambic and variations of choriambic meters, in the Moloch section of “Howl” – “Moloch-who’s-eyes-are-a-thous-and-blind-wind-ows” – (da-da da da-da da da-da da da-da) – “thousand-blind-windows”, “thousand-blind-wind..” “Moloch-who’s-eyes-are-a-thous-and-blind-wind-ows” – So it’s a combination of choriambic … Read More