Allen Ginsberg – Richland College reading – part 1

Another gem from the Stanford Archive – Allen reading at Richland Community College, Dallas, Texas, in 1980. Video technology was in its infancy, and the performance (with student musicians) typically impromptu, so bear with the amateur nature of this tape, but it more than makes up for it, with memorable renditions of  “Sunflower Sutra”, “America” ( with improvised contemporary additions), and the recently-composed “Plutonian Ode”, (not to mention, spirited interpretations of Blake songs (Allen’s settings of William Blake)

It is with Blake that the tape begins – a rather ramshackle version of My Pretty Read More

Friday’s Weekly Round-Up – 335

William Blake and the Age of Aquarius, a stunning new show opened this past week at the Block Museum at Northwestern (Evanston, Illinois). Above is a reproduction of the catalog cover. The exhibition, curated by Northwestern University art professor, Stephen F Eisenman, is a breakthrough exhibit, exploring, for the first time,  “the impact of British visionary poet and artist William Blake on a broad range of American artists in the post-World War II period”  (notably, (but by no means confined to), Allen Ginsberg and fellow members of the Beat Generation – Allen as promoter and propagandist, conduit and curator, … Read More

Hart Crane’s “O Thou steeled Cognizance”

AG: Of “melodic coherence” – “O Thou steeled Cognizance” – that’s a line of Hart Crane – “O thou steeled Cognizance” – “O Thou steeled Cognizance” – “Oh-ow-ee-oo!” – “O Thou steeled Cognizance”  (it’s the beginning of a stanza of Hart Crane’s “Atlantis”

“O Thou steeled Cognizance whose leap commits/The agile precincts of the lark’s return//Within whose lariat sweep encintured sing/ In single chrysalis the many twain;/Of stars/Thou art the stitch and stallion glow/And like an organ, Thou, with sound of doom – Sight, sound and flesh/ Thou leadest from time’s realm/As love strikes clear direction for the helm.”… Read More

Ezra Pound and “The Duration of Syllables”

[Ezra Pound (1885-1972)]

“If the verse makers of our time are to improve on their immediate precursors we must be vitally aware of the duration of syllables of melodic coherence, and of the tone leading of the vowels” (Ezra Pound)

AG: So now what is this?. “The duration of syllables” he (Pound) understands, how.. – (understands) long and short syllables – the idea of it. So he’s saying America should then try to begin to hear the difference between a long and short syllable.  In another place, he says that he thinks the direction of American poetry will be in … Read More

Ezra Pound’s Manifest

[Ezra Pound, Allen Ginsberg and Fernanda Pivano, Portofino, September 23, 1967 Photo: Ettore Sottsass]

AG: So here’s another comment on it (“To Mr Henry Lawes And His Airs”) – and then I’m comparing that with a little thing I saw copied out – “A Preface to Poems by Basil Bunting 1950, from the Cleaners Press, Galveston, Texas”, a brief essay by Ezra Pound which is also lost in leaves of history, never been reprinted, called “A Manifest As of 1950”, signed by a guy named Dallan Flynn, because, I think that Ezra Pound was by then … Read More

“Harry, whose tuneful and well-measured song..”

[John Milton (1608-1674)]

[Henry Lawes (1596-1662)]

Allen Ginsberg’s 1990 Basic Poetics class at Naropa,  continuing from last week.

AG: On page three-two-four – “To Mr Henry Lawes on His Airs” – “Airs” – tomb – “Lawes and Jenkyns be thy guest…” – remember from Ezra Pound? Pisan Cantos? – “Lawes and Jenkyns guard thy rest/Dolmetsch ever be thy guest” – same  Henry Lawes, the musician – “Harry..”  (Henry Lawes)  (hey! Harry!)

“Harry, whose tuneful and well-measured song/First taught our English music how to span/Words with just note and accents, not to scab/With Midas’ ears, committing  short … Read More

Allan and Allen’s Complaint

Another video from the Stanford Archives this weekend – Nam June Paik and Shigeko Kuboto’s 1982 experimental video  “Allan ‘n’ Allen’s Complaint” (the twin subjects are Allan Kaprow and Allen Ginsberg), both sons of patriarchal fathers. The film explores that complex relationship.

“People are always talking about Jewish mother and nobody talks about Jewish father.”

AG: (So perhaps the father) is more withdrawn,  more vulnerable, less pushy in his emotions and relationship

AK: And there’s another side to it, (and) that is, the father tends to be the one who openly suffers, or is consecrated to some kind of suffering … Read More

Friday’s Weekly Round-Up – 334

[Patti Smith and Allen Ginsberg, c. 1977]

Patti Smith‘s new book Devotion has just come out (from Yale University Press) to mixed reviewsHere‘s Michael Lindgren’s review in The Washington Post .Here‘s Megan Volpert at Pop Matters. The book is an expanded version (though not so expanded) of her 2016 Winham-Campbell Lecture at Yale (for a section of that lecture – see here)

Grant Hart, drummer, vocalist and songwriter, who died a little over a week ago, on William Burroughs from an interview from back in 2000 for The Onion AV Club:

Interviewer:   … Read More

Apollinaire’s Calligrammes & Metrical Conclusions

[Guillaume Apollinaire ( 1880-1918) by Picasso]

Continuing from yesterday

AG: … Then. Willliam Apollinaire (Guillaume Apollinaire), the Frenchman also did Calligrammes (so that would be.. the French name for that form is a calligramme – design on the page). He has one called “il pleut” which is …   “From the eaves… ” –  From..  (F-r-o-m. t-h-e-e-a-v-e-s -t-h-e-g-l-i-s-t-e-n-i-n-g-d-r-o-p-s -o-f -w-a-t-e-r-f-a-l-l-o-v-e-r – t-h-e-w-h-o-l-e-c-i-t-y) –  I don’t know  [Allen offers a translation] – “From the eaves the glistening raindrops falls down and drains over the whole city”.  You know and it’s all..  the lines are let down in strings from the … Read More

Pattern Poems – 2 (Dylan Thomas)

[Portrait of Dylan Thomas (circa 23 years old) by Augustus John

AG; So Dylan Thomas did them even funnier – [Editorial note – “pattern poems” in Vision and Prayer  (1945)] –   He’s got one that (goes)…   “I turn the corner of prayer and. burn/ In a blessing of the sudden/ Sun. In the name of the damned/ I would turn back and run/ To the hidden land/ But the loud sun/ Christens down/ The sky./ I..” –   ( so, there’s just one little bar-line in the middle –  “I’) – “Am found./ O let him/ Scald me and drown/ … Read More