“It’s impossible to overestimate Ginsberg’s influence on American culture; likewise, these recordings are nothing less than an integral, inseparable part of his oeuvre. It’s obvious that while Ginsberg took great delight in making these recordings, he also took them very seriously; his intent is … Read More
I won’t go over it, except a couple of phrases in here – (page 260) [sic] -It’s a real good poem. It’s an interesting poem, and it’s well-written, and it’s very.. it’s full of energy, at a certain point – “I therefore will begin. Soul of the age!/ The applause, delight, the wonder of our stage!” – (he really gets with it)
AG: Strophe (is that pronounced strophee or strophe?)
Student: Strophee, I think
AG: Strophee – or Strophee/Antistrophee maybe – and Epode. So the anti-strophe or antistrophe would be simply a mirror image of it, perhaps responding, responding to the first statement, and then the epode would be a variation on the form, (not necessarily the same but making use of the similar kinds of lines). And it’s good for certain kinds of formal poems, or occasional poems, or political poems. Like, I wrote Plutonian Ode (but I wasn’t paying attention to the … Read More
Today is the official release day for The Complete Songs Of Innocence And Experience, Allen’s Blake settings, re-released on CD and Digital by Omnivore Recordings, for the first time, (plus a second disc of rarities and previously unissued songs). For earlier announcements on the Allen Ginsberg Project – see here and here.
AG: So, “..since our dainty age/ Cannot endure reproof,/Make not thyself a page/To that strumpet, the stage/But sing high and aloof,/Safe from the wolf’s black jaw and the dull ass’s hoof “ (that’s the end of that poem (by Ben Jonson) “On Himself” – “Ode to Himself”) – “Safe from the wolf’s black jaw and the dull ass’s hoof” (A lot of elitist poets have always liked that line as being an acme of put-down of vulgar public – it’s on page two-six-two of the..