GC: Now there’s a story about this one, though. (Allen) Ginsberg and I were going to see Henry Miller, and we were in…. this was in (19)56, and we were going to see Henry Miller, and we didn’t get to his house, who we stopped to see was (Edward) Weston, the photographer, a very old man, who took lots of pictures of William Carlos Williams and all that, Edward Weston, and pictures of Carmel, out there, and dead birds, and what-not. Well, it was raining, and when we were … Read More
AG: And I was to remind you that ‘Nanda Pivano will be teaching the Visiting Poetics class tomorrow, I think, a survey of the impact of American Literature on Europe, (particularly Italy as an anti-authoritarian culture import or something like that.
I don’t know what she’ll cover precisely but (there) will likely (be) recollections of Alice Toklas… Read More
AG: Well don’t say.. or, I might as well say it.. I’m going to read some (Gregory) Corso in relation to Shakespeare’s language. Corso, on an elegant theme, similar, an elegant and archaic theme, that is – “Clown”
And I’ll read a few passages from a very long poem (with the title being “Clown”) – So it’s all variations on the notion, or idea, the central idea of clown, (clown-hood, adressing a clown, clown acts), with … Read More
Allen Ginsberg on Shakespeare’s The Tempest continues (and concludes)continuing from yesterdayAG: Trinculo’s got some very funny lines, discovering Caliban’s nature and how he smelt like a fish! – “..a very ancient and fish-/like smell, a kind not of the newest Poor-/John. A strange fish! Were I in England now, as once I was, and had this fish painted… a painted fish”And here’s that line, “..misery